Archive | August, 2021

Catholic School in the 60s: Much more than education

25 Aug
In the 50s and 60s, almost all Catholic school in and around east coast cities looked like this.

By Lanny Morgnanesi

NOTE: I wrote this piece in 2010 for the Philadelphia Inquirer. It was probably the most controversial thing I ever wrote, eliciting an onslaught of reaction — both positive and negative — and causing the publisher of the Inquirer to condemn it in a letter-to-the-editor of his own paper. With nostalgia in my heart of late, repost it here.

I read recently that Saint John Bosco Elementary School is closing due to low enrollment. Although the school teaches grades kindergarten through 8th, it has only 152 students. This startled me because when I attended, 1957-1965, there often were 100 kids in a class – a single, zoo-like class.

Where did everyone go?

Bosco opened in 1953 in Hatboro near the height of the baby boom. It was housed in a non-descript, cheaply constructed building. I received a miserable education, although I came out with good penmanship and an ability to diagram sentences. There was much to hate at Bosco. My top source of unhappiness was eating from brown bags at our desks because we had no lunchroom.

Odd, since the more logical choice might be those face slaps, hair pulls and rulers across knuckles … all administered by nuns. But to the victims, this perpetual combat was perversely welcomed and actually made class interesting. My most compelling contribution occurred one day when the nun ran down the aisle and yanked me out of my seat by the shirt. It must have been a cheap shirt because it ripped. The nun’s hand flew off and hit me in the nose, which began to gush.

She backed off and I stood before her, a little guy with a mangled, blood-covered, regulation white dress shirt. There was a pause, a long one, and she said, “Get out and fix yourself.”

In the empty hallway I considered going home. Instead, I went into the bathroom and washed the shirt in the sink. The blood actually came out. I put the wet shirt back on and reentered the classroom. Not another word was said on the subject. For a limited time I felt a sense of immunity, which made me proud and happy.

I imagine I had a reputation as a trouble maker, although it seemed all the boys did. In my final day there I was blamed for something I did not do. The nun, knowing I was graduating, sent me off as if I were a criminal, saying, “One day I’m going to see your name in the newspaper. You just watch.”

After college I became a reporter and for years fulfilled her prophesy. Well into that career I learned the school’s namesake – which we always associated with a chocolate drink – was the patron saint of journalists. Of all we were told, we were never told this.

We were told, however, of the greatness of John F. Kennedy, a Catholic and therefore our earthly savior. During the presidential campaign of 1960, a boy much bolder than I came to class wearing a large Nixon button. The nun ordered him to remove it and he refused. She took it from him and with her black nun shoe stomped it once, twice … maybe five or six times … then threw it in the trash. The next day he wore 10 of the pins, and was beaten.

I remember thinking this act represented true heroism, the first I had ever seen from someone my age. It saddened me because I knew that in my life I would never, ever, have that much courage.

Three years later when Kennedy was shot, I was being punished. Temporarily banished from the classroom, I was sent outside to clap blackboard erasers … to remove the chalk by smacking them together. When I returned everyone was on their knees.

I was flabbergasted and looked at the nun for an answer.

There was no explanation. Forcefully, she ordered, “Get down and pray.”

As Kennedy lay dying somewhere in Dallas, I was asking God to save him and I didn’t even know it.

There was so much I didn’t know at Bosco. I can’t remember learning much of anything. Once, during Geography, a small and mysterious country near India was being ignored and I stood up (you had to) and asked, “What’s Neepal?”

There was that familiar deadly pause, then the response: “Sit down or I’ll give you a knee, pal.”

As a wise guy, I actually respected this.

Soon there will be nothing left to respect. They’ll probably knock the place down. It must seem so big with only 152 students. Each one must have been valuable, treated like an angel. What a contrast to the Malthusian mess of me and my 99 compatriots, all in a single room, boys in front, girls in back, holding ancient textbooks and hiding damaged self-esteem, with baloney sandwiches wilting in the cloakroom and a single, unsympathetic, septuagenarian sister using something called a catechism to teach us that – above all –heaven is within our grasp and God loves us.

How could the pope have allowed this?

Goodbye, Saint John Bosco. I’m sorry for telling tales out of school.

That Break was to Write Fiction

11 Aug

By Lanny Morgnanesi

Of late, I’m not much of a blogger. Instead of writing non-fiction here, I’ve been writing fiction and trying – and failing – to sell it. Short stories are sent to small literary magazines with small readerships and small reputations. The magazines routinely reject them. I don’t know if it’s them or me. It’s probably both.

            As a life-long journalist, fiction is liberating because you make things up. Journalists interview people and hope they will say something interesting, funny or poignant. Often, they don’t. A reporter might have to work a source for quite some time to get a quote of even moderate worth. With fiction, if you want or need a specific thing, you decide what it is and write it. And you pray it is as clever as you intended it to be.

            What I like most about writing fiction is the departure from reality. You sit there without moving and travel somewhere. You become people unlike yourself, or maybe too much like yourself. You contrive plots and scenes. On good days a magical force takes over and writes the story for you. I once began a piece about a television set and ended up with a tale of a rich woman compromised by guilt and pursued by man who wants  her secrets. (Somehow the TV stayed in.) It’s almost like Mohamed getting the Koran from God, or when Bob Dylan is asked about his songs from the 60s and says, “I don’t know who wrote that.”

            When I finish, I like almost everything I’ve written. Naturally, I get this wild idea that others – editors of literary magazine – also will like it. Alas, they don’t. Or, if I’m being kind to myself, they like something else better. When an editor won’t accept you, you look for positive feedback from friends. Generally, these are people who are busy and don’t have the time or inclination to read your work and comment on it. When they do read it, you pray for a surprising and spontaneous, “Hey, that’s pretty good.” With me, that never comes. Most act overly cautious. Some will praise the work in even, sober tones, and that is satisfying, but it’s disappointing. After a few days, you get the idea they were just being kind. And through all this, you still like and treasure what you wrote. You persist in thinking its high merit is being overlooked.

            A slight irritation comes when a casual, good-natured reader misses something well-calculated and ultra-literary. In a story about two people who, over the course of years, spend only short but critical moments together, the woman has a job selling time shares. Get it? No, you don’t. Is that your fault or mine? In another story, a nun gets free heating oil for poor people. It’s subtle and not outwardly explained, but to do so she uses Mafia tactics picked up from her father. Too subtle? I wish I knew.

             Online writer communities exist, and writers will critique each other. Unfortunately, I feel a good number of these writer/critics are young and unexperienced and don’t dig in like I wish they would or could. Speaking of young, while my stories vary in content, I worry my mature age injects them with oldness and nostalgia. Young editors cannot make a connection or see value (although they don’t have a problem with Faulkner). In a story about a tragic character who mocks his own victimhood, I mentioned his wife forcing him to see Wayne Newton in Vegas instead of Sinatra. Not exactly up to date, eh?

            While I love making things up completely – one story is about a troubled America and its use of four-star concentration camps during the second coming of Christ – I tend to write about what I know, like how Atlantic City has changed since the opening of its first casino, as told through the eyes of a cocktail waitress who began work in 1978 and never left. I’ve also  written about China in 1985 (I lived there then), and a friendship between a landscaper and a bestselling author who lived in my town during the 50s and 60s. Pretty dog-eared. Still, there is a story about an intelligent robot struggling to understand irony, one on little leaguers writing a comedy sketch before practice, and a 16-year-old junkie who finds (steals) the money for his MBA. I haven’t completely abandoned freshness.

            Regardless, none of  it (with two small exceptions, including the robot) gets published.

            I’m at the point now where I may start putting some of the shorter pieces on this blog, to give them the light of day and to see what happens. Let me think about it.

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